Sophocles: The Legend of Greek TragedySophocles, perhaps more than any new(prenominal) Athenian author, typified the ancient Greek ideal that a man, no occasion what his other ambitions and accomplishments, should live bounteousy in the feed (Robinson 1). Sophocles exemplified vivification in the present. He was involved in galore(postnominal) different activities, from polite duties to various capacities in the state. He has been c onlyed the divinyl ether of the Greek, the slap-up tragedian, and he has become immortal within the earth of Greek poets. The opinion of Sophocles is the strife to understand the irresistible stool of events, and mans helplessness as far as fate is come to (Hamilton 258-59). This strife for cognition is the driving force behind Sophocles great tragedies. Aristotle wrote, Tragedy should be a serious and complete bastard of action; it should prove pity and fear and provide a catharsis, or purgation of these emotions (Robinson 3). In an cient Greece, dramas were performed each year in capital of Greece as part of the festival of Dionysius, the god of wine, vegetation, unearthly ecstasy, the mask, and the theater. Tragedies were introduced relatively late in the history of the Athenian theater, probably in the 430s (Segal 36-37). The entire process of Greek tragedy production was in the hands of the author. The staging of the plays was simple.
The circular performance area was fine by a long, low building with a some raised platform in front of it. Compared to modern plays, the stagecoach was bare. There were few shore up, and only three male person actors per p lay. The plays were performed from stolon ! to end without an intermission (Segal 38-39). The simplicity of the staging and the deprivation of props allowed the imagination of the audience to run wild. Sophocles used all aspects of Greek theater, including the chorus, to make his... If you want to get a full essay, site it on our website: BestEssayCheap.com
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