Art in Weimar Germany

The 1920s became a time of real cultural creativity, with developments in wile, films, and many more areas. Otto Dix, Kathe Kollwitz, and George Grosz are three well-know subterfugeists at that time. They were considered as artists of social criticism and their art reflected the chaos after WWI. At the time, many people supported their art work because their art responded to the current chaotic conditions and criticized the government and society. And because their workings were printed and produced cheaply, they were able to recidivate off a wide range of audience. Otto Dix was a bookman at the Dresden school of Arts and Craft. After coming binding from the struggle in 1918, Otto Dix became a left-winger and his left-wing views were all in all reflected in his art. He was angry about how badly the ex-soldiers were treated, and his anguish was explicit in his art works such as contend Cripples (1920), Butchers Shop (1920) and War Wounded (1922). Having been deeply moved( p) by WWI, Otto Dix was very against war. His painting, The Trench, and his book of etchings showed strong anti-war statements. Karthe Kollwitz, born in 1867, attend the School for Woman Artists in Berlin. Similarly, Kollwitz was also deeply change by the war because her son Peter was killed during WWI. Afterwards, she had devoted well-nigh of her time in producing artworks that showed the impact of war on woman. And her works also promoted the ideas of Pacifism. George Grosz was famous for his prints that showed the ugliness of the society and culture of Berlin. In Weimar republic, artworks like his made the government angry. Grosz was taken to court several(prenominal) generation for his criticism of the society, but he always managed to overlook duress by paying a large standard of fines. Grosz coupled with John... If you want to get a full essay, localise it on our website: BestEssayCheap.com

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